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Drawn face vi 2009 pencil on paper 42 x 54 inches private collection mountain view ca usa by dirk dzimirsky courtesy artist
Photorealism painting photorealism hyperrealism painting abstract modern art by alexy berthelot
10 incredible pencil hyperrealist artists

Sofia Butella


Hyperrealism Contemporary Art.

Paintings, Paintings are classic art pieces. They can be abstract in form or look traditional. There are most different types of paintings you could choose from to find an ideal subject , size and medium that will go with your home design and furniture process . Some canvas wall art should be framed or hung unframed if mounted on gallery wrapped canvas.

Metal Art, Metal art could consist of antique pieces or new artworks hit of metal. This softhearted of art should be handy for various types of homes, from traditional houses to new minimalist urban condos. Metal art should look like a typical squarish piece of art work on canvas or look more like wrought iron designs. These are a bit heavy and will desire more sturdy support to hold them up on a wall. They may have a southern Texan finesse or look ultra late depending on the design.

Tapestries, Tapestries are painted or printed on fabric from Africa or Asia. Tapestries add an old world poise to a home. This type of wall decoration is often forgotten as an art form but seems to be benefiting from a comeback. There are reproductions or commercial classes of tapestries and original hand painted tapestries landed up at by indigenous people from various countries. They can also be attained by the latest abstract artists to go with present-day home designs.

No matter what kind of wall art you choose to hang in your home. Be sure to get single that you savour looking for at. Earlier purchasing paries decor, get trusted that that the sizing is saint for your surround distance Takings bill of colors round the board and get art that contains close to of those colors. Void suspension art with the Saami coloring as your palisade to shuffling the artwork tie-up come out

There are diverse types of wall art that you can usage to beautify several parts of your business firm On that point are artworks painted on canvass and roughly that are printed on wallpaper or fabric Just about are framed spell others are non . Depending on your home project some may be more handy than others.

Art Prints, Art prints are photographs printed on canvas. Large-scales pieces are very adorable and modern looking. You could get these ready-made from art stores in any size you want . The photos are taken by professional photographers whom take pictures from various locations around the world. The images could show landscapes, seascapes, or portray culture and food. Some photos depict animals and city skylines.

Wall Decals, Kids will like vibrant wall decals lighted on of stickers in her bedroom or playroom. These are feasible if your kids are young since you could well get rid of the stickers and substitute them with other designs. Approximately surround decals aspect advanced sufficiency for the living way or master`s sleeping room . If you engage an apartment, these pricker are apotheosis because you won`t rich person to eagre holes on the wall and may easily remove them when it`s time to move out.

Mirrors, Mirrors don`t simply make a room look much larger but can also be saw artistic if mounted on a decorative frame. The frames should be got to of elaborate wooden carvings or modern metals. Some frames are arrived at of wood and met to look like metal like silver, gold or bronze. These kinds of wall art look great in living rooms, dining rooms and at the end of a hallway. Use this type of wall decor if you want to make your rooms look larger.

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Jason de Graaf produces striking still-lifes. In his practice, he often takes some creative liberty with his subject matter by adding illusions of depth not typically found in photographs. “I don’t strictly adhere to the reference material at hand,” he explains. “I use my subject as a springboard and a means to explore my ability as a picture maker. I use colors and composition intuitively with the intent of imbuing my paintings with emotion, mood and mystery. Throughout, I try to remain open to new ideas and surprises as the painting unfolds.”

Pedro Campos creates crystal-clear images of everyday objects. His favored subjects include soda cans, marbles, and fruit, which he reproduces in extraordinary detail.

Born and raised in the San Francisco Bay Area, American painter Robert Bechtle specializes in scenes of the city and its suburbs. With an artistic interest and knack for exploring everyday life, his retro paintings present a simple look at his surroundings.

Early 21st century Hyperrealism was founded on the aesthetic principles of Photorealism. American painter Denis Peterson, whose pioneering works are universally viewed as an offshoot of Photorealism, first used[6] “Hyperrealism” to apply to the new movement and its splinter group of artists.[6][7][8] Graham Thompson wrote “One demonstration of the way photography became assimilated into the art world is the success of photorealist painting in the late 1960s and early 1970s. It is also called super-realism or hyper-realism and painters like Richard Estes, Denis Peterson, Audrey Flack, and Chuck Close often worked from photographic stills to create paintings that appeared to be photographs.”[6]

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Belgian art dealer Isy Brachot coined the French word Hyperréalisme, meaning Hyperrealism, as the title of a major exhibition and catalogue at his gallery in Brussels in 1973. The exhibition was dominated by such American Photorealists as Ralph Goings, Chuck Close, Don Eddy, Robert Bechtle and Richard McLean; but it included such influential European artists as Domenico Gnoli, Gerhard Richter, Konrad Klapheck, and Roland Delcol (fr). Since then, Hyperealisme has been used by European artists and dealers to apply to painters influenced by the Photorealists. Among contemporary European hyperrealist painters we find Gottfried Helnwein (Austrian), Willem van Veldhuizen and Tjalf Sparnaay (Dutch), Roger Wittevrongel (Belgian), as well as the French Pierre Barraya, Jacques Bodin, Ronald Bowen, François Bricq, Gérard Schlosser, Jacques Monory, Bernard Rancillac, Gilles Aillaud and Gérard Fromanger.[4][5]

Celebrating creativity and promoting a positive culture by spotlighting the best sides of humanity—from the lighthearted and fun to the thought-provoking and enlightening.

Hyperrealist painters and sculptors make allowances for some mechanical means of transferring images to the canvas or mold, including preliminary drawings or grisaille underpaintings and molds. Photographic slide projections or multi media projectors are used to project images onto canvases and rudimentary techniques such as gridding may also be used to ensure accuracy.[19] Sculptures utilize polyesters applied directly onto the human body or mold. Hyperrealism requires a high level of technical prowess and virtuosity to simulate a false reality. As such, Hyperrealism incorporates and often capitalizes upon photographic limitations such as depth of field, perspective and range of focus. Anomalies found in digital images, such as fractalization, are also exploited to emphasize their digital origins by some Hyperrealist painters, such as Chuck Close, Denis Peterson, Bert Monroy and Robert Bechtle.[20]

Because hyperrealist art suggests a false reality, it requires a high level of skill. Here, we present a hand-picked selection of artists who have mastered the craft and whose work directly depicts the limitless possibilities of the hyperrealist style.

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1 History 2 Style and methods 3 Themes 4 Hyperrealists 5 References 6 Further reading 7 External links

Simon Hennessey is a hyperrealist that specializes in portraiture. His depictions of the human figure predominantly include close-up portrayals of people’s faces, which impressively feature minute details like strands of hair, realistic wrinkles, and even reflections in his subjects’ eyes.

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Hyperreal paintings and sculptures further create a tangible solidity and physical presence through subtle lighting and shading effects. Shapes, forms and areas closest to the forefront of the image visually appear beyond the frontal plane of the canvas; and in the case of sculptures, details have more clarity than in nature.[30] Hyperrealistic images are typically 10 to 20 times the size of the original photographic reference source, yet retain an extremely high resolution in color, precision and detail. Many of the paintings are achieved with an airbrush, using acrylics, oils or a combination of both. Ron Mueck’s lifelike sculptures are scaled much larger or smaller than life and finished in incredibly convincing detail through the meticulous use of polyester resins and multiple molds. Bert Monroy’s digital images appear to be actual paintings taken from photographs, yet they are fully created on computers.

Hyperrealism, although photographic in essence, often entails a softer, much more complex focus on the subject depicted, presenting it as a living, tangible object. These objects and scenes in Hyperrealism paintings and sculptures are meticulously detailed to create the illusion of a reality not seen in the original photo. That is not to say they’re surreal, as the illusion is a convincing depiction of (simulated) reality. Textures, surfaces, lighting effects, and shadows appear clearer and more distinct than the reference photo or even the actual subject itself.[13]

Subject matter ranges from portraits, figurative art, still life, landscapes, cityscapes and narrative scenes. The more recent hyperrealist style is much more literal than Photorealism as to exact pictorial detail with an emphasis on social, cultural or political themes. This also is in stark contrast to the newer concurrent Photorealism with its continued avoidance of photographic anomalies. Hyperrealist painters at once simulate and improve upon precise photographic images to produce optically convincing visual illusions of reality, often in a social or cultural context.[21][22]

Survival of Serena (2006) by Carole Feuerman, Oil on Resin, 38″ x 84″ x 32″

Categories: PhotorealismContemporary art movementsModern art20th century in art21st century in artHyperrealism

Duane Hanson, Woman Eating, polyester resin, fiberglass, polychromed in oil paint with clothes, table, chair and accessories, Smithsonian American Art Museum, 1971

Alison Van Pelt Andreas Orosz[31] Andrey Lekarski Antonio López Anthony Brunelli[31] Arinze Stanley Egbe Audrey Flack[31] Ben Johnson[31] Ben Schonzeit[31] Bert Monroy Bertrand Meniel[31] Boris Dragojevic Carole Feuerman Charles Bell[31] Chuck Close[31] Claudio Bravo Clive Head[31] David Kassan David Lynch David Parrish[31] Davis Cone[31] Denis Peterson Dennis Wojtkiewicz Dimitri Desiron[31] Don Eddy[31] Don Jacot[31] Dragan Malesevic Tapi Duane Hanson Eric Zener Franz Gertsch[31] Frederic Gracia Gilles Paul Esnault Glennray Tutor Gottfried Helnwein Gus Heinze[31] Hilo Chen Howard Kanovitz Ian Hornak István Sándorfi Jack Mendenhall[31] Jerry Ott John Baeder[31] John De Andrea John Kacere[31] John Salt[31] Jorge Melicio Joseph Canger José Ramón Muro Juan Francisco Casas Kamalky Laureano Kelvin Okafor Ken Nwadiogbu Malcolm Morley Marilyn Minter Mark Jenkins Maurizio Cattelan Michal Ožibko[32][33][better source needed] Noah Creshevsky Oresegun Olumide Otto Duecker Patricia Piccinini Paul Cadden Paul John Wonner Paul Thek[34] Peter Anton Peter Maier[31] Ralph Goings[31] Randy Dudley[31] Raphaella Spence[31] Richard Estes[31] Richard McLean[31] Robert Bechtle[31] Robert Cottingham[31] Robert Gniewek[31] Robert Neffson Roberto Bernardi[31] Robin Eley Rod Penner[31] Ron Kleemann[31] Ron Mueck Sebastian Krüger Taner Ceylan Terry Rodgers The Kid Tom Blackwell[31] Tjalf Sparnaay[31] Willem van Veldhuizen Yigal Ozeri[31] Zharko Basheski

Inspired by photorealism, hyperrealism is a contemporary school of painting that evokes the illusion of photography. With advancements in cameras, lenses, and digital equipment, artists have been able to be far more precision-oriented in their practice, culminating in an entirely new genre of contemporary art that makes you do a double take.

Hyperrealism is a genre of painting and sculpture resembling a high-resolution photograph. Hyperrealism is considered an advancement of Photorealism by the methods used to create the resulting paintings or sculptures. The term is primarily applied to an independent art movement and art style in the United States and Europe that has developed since the early 1970s.[1] Carole Feuerman is the forerunner in the hyperrealism movement along with Duane Hanson and John De Andrea.[2][3]

Strikingly realistic paintings by artists who specialize in hyperrealism:

The Hyperrealist style focuses much more of its emphasis on details and the subjects. Hyperreal paintings and sculptures are not strict interpretations of photographs, nor are they literal illustrations of a particular scene or subject. Instead, they use additional, often subtle, pictorial elements to create the illusion of a reality which in fact either does not exist or cannot be seen by the human eye.[17] Furthermore, they may incorporate emotional, social, cultural and political thematic elements as an extension of the painted visual illusion; a distinct departure from the older and considerably more literal school of Photorealism.[18]

Hyperrealism has its roots in the philosophy of Jean Baudrillard, “the simulation of something which never really existed.”[14] As such, Hyperrealists create a false reality, a convincing illusion based on a simulation of reality, the digital photograph. Hyperreal paintings and sculptures are an outgrowth of extremely high-resolution images produced by digital cameras and displayed on computers. As Photorealism emulated analog photography, Hyperrealism uses digital imagery and expands on it to create a new sense of reality.[6][15] Hyperrealistic paintings and sculptures confront the viewer with the illusion of manipulated high-resolution images, though more meticulous.[16]

Specializing in large-scale depictions of swimmers, Gustavo Silva Nuez takes hyperrealistic portraiture to another level. By incorporating details like rippling water, shimmering reflections, and sprays of bubbles into his compositions, he is able to effortlessly create lifelike scenes straight out of the swimming pool.

Some hyperrealists have exposed totalitarian regimes and third world military governments through their narrative depictions of the legacy of hatred and intolerance.[23] Denis Peterson and Gottfried Helnwein depicted political and cultural deviations of societal decadence in their work. Peterson’s work[6] focused on diasporas, genocides and refugees.[24] Helnwein developed unconventionally narrative work that centered on past, present and future deviations of the Holocaust. Provocative subjects include enigmatic imagery of genocides, their tragic aftermath and the ideological consequences.[25][26] Thematically, these controversial hyperreal artists aggressively confronted the corrupted human condition through narrative paintings as a phenomenological medium.[27] These lifelike paintings are an historical commentary on the grotesque mistreatment of human beings.[28][29]

Denis Peterson initially emerged as a photorealist painter. However, he would soon become widely acknowledged as a primary architect of Hyperrealism. His meticulously detailed New York scenes showcase a range in subject matter, from the the city’s bright billboards to it colorful residents. This dual focus has culminated in a diverse body of work that captures the spirit of the city.

Man in a Boat (2002), by Ron Mueck, is a hyperrealistic 1/3 scale sculpture.

Unlike photorealist painters who may make aesthetic alterations and consciously omit details in order to emulate photographic images, hyperrealists take a more literal approach to representation. Like the source photos themselves, photorealist paintings incorporate elements like depth of field, perspective, and even focus. All compositional quirks are reproduced, and imperfections are never concealed.

Charles Bell, Circus Act, Silkscreen on Paper, Smithsonian American Art Museum, 1995

La hora del té by Magda Torres Gurza (oil on canvas, 90×140 cm).

However, Hyperrealism is contrasted with the literal approach found in traditional photorealist paintings of the late 20th century.[9] Hyperrealist painters and sculptors use photographic images as a reference source from which to create a more definitive and detailed rendering, one that often, unlike Photorealism, is narrative and emotive in its depictions. Strict Photorealist painters tended to imitate photographic images, omitting or abstracting certain finite detail to maintain a consistent over-all pictorial design.[10][11] They often omitted human emotion, political value, and narrative elements. Since it evolved from Pop Art, the photorealistic style of painting was uniquely tight, precise, and sharply mechanical with an emphasis on mundane, everyday imagery.[12]

References[edit] Further reading[edit] John Russell Taylor, Maggie Bollaert (2009). Exactitude – Hyperrealist Art Today. USA: Thames & Hudson. ISBN 0500238634.  External links[edit] The dictionary definition of hyperrealism at Wiktionary Media related to Hyperrealist paintings at Wikimedia Commons

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